John Cooper Clarke

It’s that time of week again. While I lie, sleepless, in my sickbed, clutching at the thick air and phasing in and out of languid fever dreams, you get to enjoy the erudite opining of Ross Sutherland. How did you get into performance poetry? I’ve written poetry since I was five. My gran and I … Read more

In contemporary page poetry, rhyme occupies an uncertain position in the technique hierarchy. If you’re a performance poet, it’s pretty much indispensible. That’s not to say that every poem you write need be in pat, metrically-tight couplets, but even if you’re delivering a prosey monologue, if you want it to flow satisfyingly you’ll need to … Read more